With Maiko, somewhere in 2018. I had watched the movie, and she told me that she had been to the places in the movie. We were sleepless as well. I've always liked sleeplessness, defiant agaisnt death, a conscious dream. Irrelevant things and words come up. No time's passing. Solid. But the days are gone, and I miss you. In a movie that I used to like, and all the movies that I used to have liked. In them I miss many things, including the futrue, a dog, and the past. But just like the nights the future will be another's too; Melbournian evenings, streets warm and far away and the river quietly sinking; I dive deep, lights blinking, my white table kills, namelessly, a city's doomed fate.

梅格雷系列已經(jīng)無(wú)聊到成為我的治愈保留劇目了。

時(shí)差十二年，追GA十一年。按照本人尿性日后應(yīng)該還是會(huì)強(qiáng)迫自己看下去，到大結(jié)局那天，可確實(shí)已經(jīng)是物是人非。十一年后的今日，曾經(jīng)很喜歡的一套劇集如今每一條線都讓我失去了期待——那么，不如不見。| 我很少給出拉低平均分的評(píng)價(jià)，而這季的確逼著人給差評(píng)。

受了泰坦尼克的影響吧。不過(guò)有一個(gè)好的結(jié)局。

本片獲第75屆奧斯卡最佳動(dòng)畫長(zhǎng)片提名。畫面實(shí)在是太精致了。那飛濺的水花、那熊熊的烈火，感覺像是用實(shí)景疊加的方式實(shí)現(xiàn)的。而氣勢(shì)恢宏的瀑布、微風(fēng)拂動(dòng)的草原，每一處細(xì)節(jié)都能感受到制作方的真誠(chéng)。就是故事一般了些，沒有什么深度，也沒什么感情，浪費(fèi)了這畫工。